Q. Tarantinos Use of Different Film Elements in Kill Bill and Pulp Fic

Q. Tarantinos Use of Different Film Elements in knock off Bill and Pulp Fiction Quentin Tarantino has used the fire upning, colour, sound, camera, mise-en-scene, iconography, speed of editing and special make in Kill Bill and Pulp Fiction to make the earreach want to carry on watching. These film elements have been used very effectively by the director in the openings of both films to build audience interest. The first aspect lightning was very helpful in building interest in Kill Bill. The opening scene of Kill Bill is in black and white. It was originally coloured but the critics have decided that the blood which appears in this scene is as well offensive and have censored it. The best way to make the blood less visible without remaking the beginning of the film was to use black and white. It has a dramatic and disturbing effect on the audience because of the negative atmosphere the scene gets them into the audi ence feels danger, suspense. In the opening scene lightning has been used to characterise the woman. The light is natural it comes from the windows in the church where the scene is set. The womans face is half lit but the other half is black. This was probably shown to symbolise her ii sides profound and bad. It gives the audience an insight into the womans character it tells them that she does have an evil side. At this point the audience might have a good reason to keep on watching to find out those two sides of the woman they have just met. The first scene of Kill Bill confronts the audiences idea on what wedding should look like. The woman, which is heavily beaten up is wearing... ... it interesting, full of iconography, dynamic effects, original sound etc. the director strengthened himself a great tool for keeping the audience until the whole plot is justified. A non-linear plot is also unique to films directed by Quentin Tarantino, by whom thi s style has been developed. If I was Quentin Tarantino, I would call my new film Contradiction. I think that it would fit the Tarantino style of things in the wrong order. It links with the theme of paradox, for framework one thing denies another, but that other thing seems true. The same can be spotted in Tarantino films the end is at the beginning and the beginning at the end, so what is the beginning and what is the end in reality? Although the narrative is non-linear, in Tarantinos films there is always a clear key, consequence that justifies the plot.